From analogue to digital editor
DOI:
https://doi.org/10.13136/2284-2667/1108Keywords:
Digital Humanities, Siete Partidas, Alfonso X the Sage, digital philologyAbstract
The present article is centered on the recent developments of the collaborative project 7PartidasDigital. Specifically, the main aspects of traditional philological work and the possible advances that computational tools can offer in the making of a digital critical edition are pointed out. Among the most outstanding aspects, we insist on the automated transcription of printed testimonies and the use of automatic collation systems, two resources that concretely speed up and simplify philological work
Downloads
Published
Issue
Section
License
Copyright (c) 2022 José Manuel Fradejas Rueda
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors must attend to the following conditions:- Authors will mantain the copyright of their work and leave to the journal first publishing rights, simultaneously licensed by a Creative Common License - Attribution - No Commercial Use that permits other researchers to share the work indicating the intellectual property of the author and the first publishing in this journal not for commercial use.
- Authors can adhere to other license agreements not exclusive to the distribution of the published version of their work (for example: include it in an institutional archive or publish it in a monografic book), with the agreement of indicating that the first publishing belongs to this journal.
- Authors can disseminate their work (for example in institutional repositories or their personal website) before and during the submission procedure, as it can lead to advantageous exchanges and citations of the work (see also, The Effect of Open Access).