Figures and counterfigures of the Annunciation in the first romances of chivalry: bedroom scenes and angelic notices of extraordinary conception
DOI:
https://doi.org/10.13136/2284-2667/1266Keywords:
Annunciation, medieval iconography, chivalric fiction, Baladro del sabio Merlín, Tristán de Leonís, La Celestina, Tirant lo BlancAbstract
The article examines the significant role of domestic elements in the Annunciations painted by 15th-century artists. Among these objects Thalamus Virginis stands out for its Mariological and Christological meaning. The drawing of Gabriel's announcement to Mary, keeping the bed in the background, could serve as a model to illustrate other announcements or warnings of spirits or angels in sentimental and chivalric fiction. The outstanding illustrations of the first Castilian prints of the Baladro del sabio Merlín or Tristán de Leonís, among others, are examined. We propose that the counterfigures of the Annunciation could also be transmitted in other sacred-profane episodes of other fictions, such as La Celestina and Tirant the Blanc.
Downloads
Published
Issue
Section
License
Copyright (c) 2022 Rafael Beltrán
![Creative Commons License](http://i.creativecommons.org/l/by-nc/4.0/88x31.png)
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors must attend to the following conditions:- Authors will mantain the copyright of their work and leave to the journal first publishing rights, simultaneously licensed by a Creative Common License - Attribution - No Commercial Use that permits other researchers to share the work indicating the intellectual property of the author and the first publishing in this journal not for commercial use.
- Authors can adhere to other license agreements not exclusive to the distribution of the published version of their work (for example: include it in an institutional archive or publish it in a monografic book), with the agreement of indicating that the first publishing belongs to this journal.
- Authors can disseminate their work (for example in institutional repositories or their personal website) before and during the submission procedure, as it can lead to advantageous exchanges and citations of the work (see also, The Effect of Open Access).