Ausencias de don Quijote y Sancho en la novela italiana y la libertad de don Quijote en los primeros melodramas.
DOI:
https://doi.org/10.13136/2284-2667/53Keywords:
Quijote, novela italiana, melodrama, reescrituras, teatroAbstract
El Quijote de Cervantes apenas si conoció imitaciones en la novela italiana en prosa del siglo XVII. Quizás porque, para afirmarse, los nuevos novelistas, aun teniendo como modelos los poemas caballerescos de Ariosto y de Tasso, intentaban crear historias más verosímiles, introduciendo elementos históricos y contemporáneos. En cambio, en el melodrama, más libre normativamente, a finales del siglo XVII empieza una larga trayectoria de reelaboraciones quijotescas, donde la libertad creativa del género permite introducir tipos nuevos, como el del loco don Quijote, cuya comicidad se explotará con fines cómico-líricos, o en el caso de Gigli, también satíricos.
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Copyright (c) 2016 Agapita Jurado Santos
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