Imperfect Fictions
Rabelais, Cervantes, Aristotle, and the Ambiguity of the Novel
DOI:
https://doi.org/10.13136/2284-2667/1250Keywords:
Cervantes, Rabelais, Gargantua, Don Quixote, fiction, novelAbstract
The contribution investigates from a theoretical perspective the primacy of Rabelais and Cervantes in the birth of the modern novel. Gargantua and Don Quixote, due to their distance from the discursive regimes of historiography and the medieval and chivalric novel, are considered here as promoters of a fictional space where truth and falsehood are confused and multiplicity, excess and the imperfection are valued. The aim of the research is to determine the contribution of the two authors to the definition and regulation of the novel form.
Downloads
Published
Issue
Section
License
Copyright (c) 2023 Carlo Tirinanzi De Medici
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors must attend to the following conditions:- Authors will mantain the copyright of their work and leave to the journal first publishing rights, simultaneously licensed by a Creative Common License - Attribution - No Commercial Use that permits other researchers to share the work indicating the intellectual property of the author and the first publishing in this journal not for commercial use.
- Authors can adhere to other license agreements not exclusive to the distribution of the published version of their work (for example: include it in an institutional archive or publish it in a monografic book), with the agreement of indicating that the first publishing belongs to this journal.
- Authors can disseminate their work (for example in institutional repositories or their personal website) before and during the submission procedure, as it can lead to advantageous exchanges and citations of the work (see also, The Effect of Open Access).